Frequency
of the string and length of the string: opposite ratios
When we use the metronome or tune
the piano we use describe the notes in terms of frequencies.
The concert A that most countries refer to has
been set at 440Hz. However, in many countries such as
Japan and Germany, the concert A is now 442Hz-445Hz.
This is to raise the intensity and excite the emotions.
These days the A is so sharp that on recordings it is
sometimes difficult to tell whether it is tuned to A
or Bb. In my opinion this is commercial method rather
than anything else and in the long run does not make
a big difference to the music itself. I personally tune
my violin to 440Hz. Therefore even
if the piano in the concert hall is tuned to 442Hz,
it makes little difference to the way I perceive intonation.
On the other hand, if students tune the violin to 445Hz
to practice, he/she may run into many problems trying
to adjust to a lower 442Hz tuning. Naturally the ear
can easily react to tuning up to a set intonation but
has physical reaction to tuning down.
A note is created by a shock or wave
from a material travelling in the air. 440Hz denotes
the number (440) of waves in one second. Therefore if
this number was multiplied a similar shaped wave as
A is formed, such as 440 x 2 = 880 which would result
in an A an octave above, and 440 x 1/2 = 220 would result
in an A an octave below. In such manner the Pythagorean
theory became today's seven note octave. His experimental
instrument was of a very simple kind which was used
to study the properties of the string. The stringed
instruments of today have the same principles. If one
plays a natural harmonic above the open string, the
note produced would be an octave above and this is placed
half way on the string. If a note two octaves above
the open string was desired, one has to place the finger
so that the string is a quarter of its length. Therefore
all the harmonics on the string is a multiple of the
Hz of the open string.
The wave lengths measured in Hz identifies
the name of the note but it also identifies the
exact intonation of the note. The violin is a difficult
instrument to tune, perhaps even more than other stringed
instruments. This may be because the normal limitation
of the human ear is only 200Hz-4000Hz. But a well trained
ear is very sensitive and can identify the slightest
change in the note's wave length. The smallest movements
on the fingerboard are made by the tip of the fingers.
Although the strings themselves speak
out the specific notes, the resonance is enlarged by
the body of the violin.
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